Greetings,
On September 19, 1997, the world lost one if its most gifted artists, and I lost one of my greatest inspirations, with the passing of singer-songwriter Rich Mullins. If you're unfamiliar with him, he was a Christian artist during the 80's and 90's, penning some very well-known and beloved songs for both himself and others, including Amy Grant. He was revered as one of the best songwriters in the genre, if not the best, and some of us would put his brilliance as a musician up against any of the musical geniuses there are outside of Christian music. To put it simply, Rich Mullins was something special.
Okay, I have to talk about myself for a moment for all this to really make an impact. It's leading somewhere, trust me.
When I was growing up, I always felt very different from everyone around me. I know a lot of people say that, but that's because a lot of people do feel that way. I was an unofficial outcast everywhere I went, and I never thought I was in the place or around the people that I was meant to be. Still feel that way sometimes. I had a lot of emotional issues, stemming from the treatment I got from certain people in my life, but like a good little girl, I always kept my mouth shut. I never talked about my wounds. I felt ashamed of them, and I felt like I would be judged as a Christian for bringing all my damage into the light, instead of just praying it away. Don't get me wrong. I do believe in the power of prayer and trusting God to get you through your storms, but I also believe that sometimes He hands you the supplies and tells you to build the shelter yourself. Faith plus works, as we all know. But I was too afraid to even think that I was capable of doing that.
All that led me to some very dark days in my early teenage years. Very dark. I was constantly begging God to come to my rescue, and all the while, I had been writing about my troubles. But I remember thinking that I couldn't do that. What if someone found out that I was dwelling on that darkness? So, I shamed myself for it and kept on begging God to help. As it turns out, He was helping all along. This is what He gave me to work through all of that. My gifts of writing were my supplies, and doing the actual writing was how I was meant to build my shelter from the storm. And for a time, I had clearly forgotten the lessons I'd learned from someone that God had put into my life long before. That person was Rich Mullins.
See, Rich was far from perfect and he never backed down from letting the world know that. Whether it was through his songs or interviews, he always let us know about his scars. He never tried to be something he wasn't, even when what he was happened to be a man who was a bit rough around the edges. That was one of the reasons why I was so drawn to him as an artist and as a person. I was in that same state, even as a kid, but I tried to hide the pain by acting like everything was fine, like I was fine, and it wasn't until I started putting my scrapes and cuts and bruises into the open that they could begin to heal. That was something else he taught me. That, no matter what, there was always a way to heal.
I suppose I would be remiss if I didn't mention something else that Rich Mullins introduced me to. That would be Brennan Manning and his book The Ragamuffin Gospel, which I actually didn't get a chance to read until after Rich passed on. It had a big effect on me, as did the album that Rich made that was greatly inspired by it. The album is called A Liturgy, a Legacy & a Ragamuffin Band, and it is my favorite of all time.
It's also his masterpiece, as far as I'm concerned. If I ever meet anybody who is wary of Christian music for any reason, this is what I recommend to them. That way, they can see what brilliance can spawn from the genre, both musically and lyrically. It is something of a concept album, which means it had great potential to be pretentious, but rest assured, it is far, FAR from that. It's epic and intimate at the same time, and there is a rawness to it that, as usual, let's you see straight into the heart and soul of the artist. What he thought, what he felt, and most importantly, what he believed. It changed my life and continues to do so every time I listen to it.
I suppose that's all I want to say. I wasn't even planning on writing this. It was very last minute, as you can tell. But I thought I should do something to honor Rich Mullins and remember him today. I know it's a cliche to say that he's in a better place now, but I know for certain that he is. That's why, while this day does give a sting to my heart, I always need to remember that this was the day he went home. And I take comfort in the fact that I'll get to see him someday and say thank you to him. And also to God for sending such a blessing into my life.
Love and full moons,
Becky the Writer
Tuesday, September 19, 2017
Sunday, September 17, 2017
Top Ten Billy Joel Songs
Greetings,
So, Harry Connick Jr's show began its second season and his first guest was Billy Joel. Of course, that happened. We all know those piano men all stick together. Anywho, they did a little singing, naturally, and listening to it, I thought, "Oh, yeah. I really like Billy Joel's music and I ever made a Top Ten list of my favorite songs of his!" Or something like that. Therefore, I decided to do it today.
Now, considering when I was born and grew up, Billy Joel was really part of the zeitgeist for me, and I think he's just one of those artists that everyone enjoys, where even if you don't like him, you do. Just because. Well, maybe it's because he's always felt so regular guy-ish, and when you seem him, you feel like your neighbor or uncle or wacky, music teacher got famous. He feels like someone you know, and that counts for something. But he's also extraordinarily, musically gifted. So, I think we should start talking about said music. Here is my Top Ten list of Billy Joel songs. Enjoy
Honorable Mention goes to "We Didn't Start the Fire". I know he doesn't like it that much, but I do. And there are few greater feelings in the world than the moment you realize, "WOW! I've memorized all the words to this song!" Or is that just me, as my life is pretty sad? Moving on.
#10. "My Life" - This was the theme song to one of the greatest shows of all time, Bosom Buddies. I don't think I need any other reason than that to put it on the list. Although, as a person who is constantly telling others to "leave me alone", I can relate to this. Big time.
#9. "She's Always a Woman" - Or "The Backhanded Compliment Song". Oh, what? That is exactly what's happening here and you know it. Alright, I'm just kidding. Actually, I heard that he wrote this about his ex-wife, who helped him get his financial act together. She was pretty tough and apparently, some people were like, "A tough woman? I think not!" And this song was Billy's answer to those fools. Good times.
#8. "Don't Ask Me Why" - When I used to work at my heinous job in retail, I had to listen to many awful songs overhead. But occasionally, I'd hear a good one. This is one of them. And this is one that always made me feel better for some reason. The music just cheered me up in the moments I needed it the most. Much thanks.
#7. "Uptown Girl" - I mean, how could I not? This is just one of the funnest songs ever. Now, I think some people believe that this song was written exclusively for Christie Brinkley, as they were eventually married and she was in the video. But apparently, he started writing this about Elle Macpherson, who he was dating at the time, and then it morphed into being about Christie as well. Holy crap, I love this man's life. Anyway, I also heard it was inspired, musically, by the work of Frankie Valli and the Four Seasons, and that will always get you points.
#6. "Lullaby (Goodnight, My Angel)" - Unless my memory is playing tricks on me, I believe I once saw this special where Billy was at a university or something, talking to the students, giving them advice and answering questions. And I do remember that someone asked him to sing this song, but he couldn't even finish, he got so emotional. Because it's about his baby girl, Alexa Ray. I tell ya, I almost cried myself. Again, if I am remembering correctly.
#5. "Honesty" - He's not kidding when he says "Honesty is such a lonely word". No one wants to hear the truth, especially these days, and when you tell them the truth, they just flee. That's cool, though. I like my alone time.
#4. "New York State of Mind" - I tell you, nothing makes you appreciate the East Coast more than spending any amount of time on the West Coast. And that is what inspired this song. Actually, it seems to have inspired the whole album that this song was on, Billy's return to New York after being in L.A. for a while. There's nothing like coming home, and whilst we have a ton of songs about NYC, I think the best ones are written by genuine New Yorkers, IMO.
#3. "The River of Dreams" - Imagine if Billy Joel was the organist at your church. No need to imagine, because here it is. Yeah, no lie, this song sounds like church to me. A really good, jazzy one. And there's no way I can mention this song without bringing up the performance of it he gave at the Grammys, back when people still cared about the Grammys and they weren't utterly pointless. It's iconic. I'm sure you'll be able to find it someone.
#2. "The Longest Time" - I used to think that this song was just voices. The a cappella, ya know. But it actually has some bass and snare drum with brushes. I had no idea. Although, it has probably been covered many times without those things. MANY times! Again, this is just such a feel good song, and I dare you to not smile whenever it comes on. Unless you're really, super sad. Then, I'll let it slide
#1. "The Downeaster Alexa" - I don't know how many people would call this their favorite song of Billy's. I assume not a lot, but I like to go against the flow. I love this song. It feels like Billy Joel's very unique and specific version of epic. I mean, he got Itzhak Perlman do the violin solo. Come on! And the structure is so different from a basic "Verse, Chorus, Verse, Chorus, Bridge" kind of a song, it really does bring something special to the table. Also, it's something of a story song, and I love me a good story song. Especially when it's inspired by true stories about true struggles. Excellent work, my friend.
And there are my favorite songs by the Billy Joel. I like Billy. I really do. We might not agree on everything, but his music certainly makes me happy. And all things considered where my life is concerned right now, that is exactly what I need. So, sir, if by some miracle you ever read this, I say thank you.
Love and full moons,
Becky the Writer
So, Harry Connick Jr's show began its second season and his first guest was Billy Joel. Of course, that happened. We all know those piano men all stick together. Anywho, they did a little singing, naturally, and listening to it, I thought, "Oh, yeah. I really like Billy Joel's music and I ever made a Top Ten list of my favorite songs of his!" Or something like that. Therefore, I decided to do it today.
Now, considering when I was born and grew up, Billy Joel was really part of the zeitgeist for me, and I think he's just one of those artists that everyone enjoys, where even if you don't like him, you do. Just because. Well, maybe it's because he's always felt so regular guy-ish, and when you seem him, you feel like your neighbor or uncle or wacky, music teacher got famous. He feels like someone you know, and that counts for something. But he's also extraordinarily, musically gifted. So, I think we should start talking about said music. Here is my Top Ten list of Billy Joel songs. Enjoy
Honorable Mention goes to "We Didn't Start the Fire". I know he doesn't like it that much, but I do. And there are few greater feelings in the world than the moment you realize, "WOW! I've memorized all the words to this song!" Or is that just me, as my life is pretty sad? Moving on.
#10. "My Life" - This was the theme song to one of the greatest shows of all time, Bosom Buddies. I don't think I need any other reason than that to put it on the list. Although, as a person who is constantly telling others to "leave me alone", I can relate to this. Big time.
#9. "She's Always a Woman" - Or "The Backhanded Compliment Song". Oh, what? That is exactly what's happening here and you know it. Alright, I'm just kidding. Actually, I heard that he wrote this about his ex-wife, who helped him get his financial act together. She was pretty tough and apparently, some people were like, "A tough woman? I think not!" And this song was Billy's answer to those fools. Good times.
#8. "Don't Ask Me Why" - When I used to work at my heinous job in retail, I had to listen to many awful songs overhead. But occasionally, I'd hear a good one. This is one of them. And this is one that always made me feel better for some reason. The music just cheered me up in the moments I needed it the most. Much thanks.
#7. "Uptown Girl" - I mean, how could I not? This is just one of the funnest songs ever. Now, I think some people believe that this song was written exclusively for Christie Brinkley, as they were eventually married and she was in the video. But apparently, he started writing this about Elle Macpherson, who he was dating at the time, and then it morphed into being about Christie as well. Holy crap, I love this man's life. Anyway, I also heard it was inspired, musically, by the work of Frankie Valli and the Four Seasons, and that will always get you points.
#6. "Lullaby (Goodnight, My Angel)" - Unless my memory is playing tricks on me, I believe I once saw this special where Billy was at a university or something, talking to the students, giving them advice and answering questions. And I do remember that someone asked him to sing this song, but he couldn't even finish, he got so emotional. Because it's about his baby girl, Alexa Ray. I tell ya, I almost cried myself. Again, if I am remembering correctly.
#5. "Honesty" - He's not kidding when he says "Honesty is such a lonely word". No one wants to hear the truth, especially these days, and when you tell them the truth, they just flee. That's cool, though. I like my alone time.
#4. "New York State of Mind" - I tell you, nothing makes you appreciate the East Coast more than spending any amount of time on the West Coast. And that is what inspired this song. Actually, it seems to have inspired the whole album that this song was on, Billy's return to New York after being in L.A. for a while. There's nothing like coming home, and whilst we have a ton of songs about NYC, I think the best ones are written by genuine New Yorkers, IMO.
#3. "The River of Dreams" - Imagine if Billy Joel was the organist at your church. No need to imagine, because here it is. Yeah, no lie, this song sounds like church to me. A really good, jazzy one. And there's no way I can mention this song without bringing up the performance of it he gave at the Grammys, back when people still cared about the Grammys and they weren't utterly pointless. It's iconic. I'm sure you'll be able to find it someone.
#2. "The Longest Time" - I used to think that this song was just voices. The a cappella, ya know. But it actually has some bass and snare drum with brushes. I had no idea. Although, it has probably been covered many times without those things. MANY times! Again, this is just such a feel good song, and I dare you to not smile whenever it comes on. Unless you're really, super sad. Then, I'll let it slide
#1. "The Downeaster Alexa" - I don't know how many people would call this their favorite song of Billy's. I assume not a lot, but I like to go against the flow. I love this song. It feels like Billy Joel's very unique and specific version of epic. I mean, he got Itzhak Perlman do the violin solo. Come on! And the structure is so different from a basic "Verse, Chorus, Verse, Chorus, Bridge" kind of a song, it really does bring something special to the table. Also, it's something of a story song, and I love me a good story song. Especially when it's inspired by true stories about true struggles. Excellent work, my friend.
And there are my favorite songs by the Billy Joel. I like Billy. I really do. We might not agree on everything, but his music certainly makes me happy. And all things considered where my life is concerned right now, that is exactly what I need. So, sir, if by some miracle you ever read this, I say thank you.
Love and full moons,
Becky the Writer
Thursday, September 7, 2017
In the Woods by Tana French - Book Review
Greetings,
I've noticed something about writers, especially these days. There are a lot of good ones. There are a lot of bad ones. I think the most prevalent are the merely competent ones. But, few and far between, there are writers who are distinct and unique, who use a voice that is completely their own. These are the writers that require you to read only a page or two, if that, to know who they are. Yes, they are rare, and a few years ago, I think I found one. Her name is Tana French and today, I am going to discuss her first book, In the Woods.
In the Woods is a 2007 mystery novel and is the first in the Dublin Murder Squad series, which I will speak more about later. It's about a detective named Rob Ryan, who is investigating the murder of a 12-year-old girl whose body was found on a dig site, along with his partner Cassie Maddox. The details of the case are taking Rob back to the memory of a horrific event that happened to him when he, himself, was 12-years-old, especially considering how many similarities there are between them. It is a part of his past that he keeps secret from everyone, with the exception of his partner, who he trusts due to their close relationship. That closeness, however, leads people to think they are intimately involved. Because we all know that men and woman can't ever be just close friends. That's just silly talk.
Anyway, as the investigation moves forward, as many leads are fruitlessly looked into, Rob tries to pull from his own memories of what happened to him, on the off chance that it could be helpful, not only to this present mystery, but also to the one that haunts his past. So, in a way, we're getting two mysteries for the price of one. Of course, with the lengths to which he goes to use his childhood trauma to try and fix his current adult dilemma, it only ends up messing with him emotionally and leading to some issues in his friendship with Cassie. Still, they must continue on with their job to find out exactly what occurred. And doing so leads them, and us, the reader, on a intense and gripping ride.
Now, I refuse to spoil the ending of this book, because I'm not mean and I think you should read it yourself. I will say, however, that I found it to be quite satisfying. I did not predict it at all, and the set up for it was done very well. Was it the exact ending that I wanted? Not completely, but it was true to life and how life goes sometimes. Frankly, that's all I can ask of a writer, to respect me enough to let the story be what it is, from beginning to end. And you know what? Sometimes I think the best way to insult your reader is to give them exactly the ending that they want. Or, should I say, the ending that they THINK they want. None of that here, which may upset some people, but not me.
So, about the Dublin Murder Squad. First of all, I don't think it's an actual thing, IRL, but whatever. They're homicide detectives. That's all you need to know. Now as far as the series goes, the structure of it is quite interesting. All the books are connected, but not extremely so. Obviously, they always follow the squad and you will have recurring characters, but there is a new case to solve and a new lead character for each book. Well, actually, to say "new" is a bit misleading. Usually, the lead in one book will be a secondary character from a previous book. It's a great way to be able to get the story from a fresh perspective, but said perspective comes from someone you've already been introduced to. There's just enough of a thread to connect the books, but not so much that you feel like you're stuck in a never-ending narrative. Okay, I used the word "books" WAY too much in that paragraph.
In conclusion, I definitely recommend In the Woods. Tana French is such a superb writer. Her world building is amazing, and she truly creates an atmosphere that completely pulls you into the story. And the way she writes characters is what I love most about her writing. They're complex, they have depth and you feel like you know them, because she puts you right in their head and proves that there is absolutely an art to making a first person narrative. As I said, writers like Tana French are rare, so we should make sure to show them, and their books, the appreciation they deserve.
Love and full moons,
Becky the Writer
I've noticed something about writers, especially these days. There are a lot of good ones. There are a lot of bad ones. I think the most prevalent are the merely competent ones. But, few and far between, there are writers who are distinct and unique, who use a voice that is completely their own. These are the writers that require you to read only a page or two, if that, to know who they are. Yes, they are rare, and a few years ago, I think I found one. Her name is Tana French and today, I am going to discuss her first book, In the Woods.
In the Woods is a 2007 mystery novel and is the first in the Dublin Murder Squad series, which I will speak more about later. It's about a detective named Rob Ryan, who is investigating the murder of a 12-year-old girl whose body was found on a dig site, along with his partner Cassie Maddox. The details of the case are taking Rob back to the memory of a horrific event that happened to him when he, himself, was 12-years-old, especially considering how many similarities there are between them. It is a part of his past that he keeps secret from everyone, with the exception of his partner, who he trusts due to their close relationship. That closeness, however, leads people to think they are intimately involved. Because we all know that men and woman can't ever be just close friends. That's just silly talk.
Anyway, as the investigation moves forward, as many leads are fruitlessly looked into, Rob tries to pull from his own memories of what happened to him, on the off chance that it could be helpful, not only to this present mystery, but also to the one that haunts his past. So, in a way, we're getting two mysteries for the price of one. Of course, with the lengths to which he goes to use his childhood trauma to try and fix his current adult dilemma, it only ends up messing with him emotionally and leading to some issues in his friendship with Cassie. Still, they must continue on with their job to find out exactly what occurred. And doing so leads them, and us, the reader, on a intense and gripping ride.
Now, I refuse to spoil the ending of this book, because I'm not mean and I think you should read it yourself. I will say, however, that I found it to be quite satisfying. I did not predict it at all, and the set up for it was done very well. Was it the exact ending that I wanted? Not completely, but it was true to life and how life goes sometimes. Frankly, that's all I can ask of a writer, to respect me enough to let the story be what it is, from beginning to end. And you know what? Sometimes I think the best way to insult your reader is to give them exactly the ending that they want. Or, should I say, the ending that they THINK they want. None of that here, which may upset some people, but not me.
So, about the Dublin Murder Squad. First of all, I don't think it's an actual thing, IRL, but whatever. They're homicide detectives. That's all you need to know. Now as far as the series goes, the structure of it is quite interesting. All the books are connected, but not extremely so. Obviously, they always follow the squad and you will have recurring characters, but there is a new case to solve and a new lead character for each book. Well, actually, to say "new" is a bit misleading. Usually, the lead in one book will be a secondary character from a previous book. It's a great way to be able to get the story from a fresh perspective, but said perspective comes from someone you've already been introduced to. There's just enough of a thread to connect the books, but not so much that you feel like you're stuck in a never-ending narrative. Okay, I used the word "books" WAY too much in that paragraph.
In conclusion, I definitely recommend In the Woods. Tana French is such a superb writer. Her world building is amazing, and she truly creates an atmosphere that completely pulls you into the story. And the way she writes characters is what I love most about her writing. They're complex, they have depth and you feel like you know them, because she puts you right in their head and proves that there is absolutely an art to making a first person narrative. As I said, writers like Tana French are rare, so we should make sure to show them, and their books, the appreciation they deserve.
Love and full moons,
Becky the Writer
Saturday, August 26, 2017
How Old Are You? / Robin Gibb - Album Review
Greetings,
Anyone who knows me knows that I am a hardcore admirer of the Bee Gees. Ever since I was a teenager, when I found out they did more stuff than Saturday Night Fever, I have been listening to their amazing catalog of music. In fact, my favorite songs is one of their songs. But I'm not exactly here to talk about the Bee Gees, at least, not collectively. And probably not TOO much. No, today I will mostly be discussing just one of them, Robin Gibb, and his solo album How Old Are You?
How Old Are You? was released in 1983 and was Robin's second solo project. The first was 1970's Robin's Reign, which was made back when the brothers broke up after their initial success. It was a sad time. I guess. I wasn't there. And I don't think I've ever actually heard that album. Maybe someday. Anyway, according to my info, this was made around the time that the Bee Gees were doing the Staying Alive soundtrack (which was AWESOME!), as well as the time when they were writing and producing a lot for other artists. With this project, though, it appears that only Robin and Maurice were involved, writing all the songs and producing with a guy named Dennis Byron, who had been working with them as a drummer for quite a while. Actually, they used a few of their regular musical personnel for this, which I'm cool with, because obviously they're good at what they do. Unfortunately, Barry was apparently not involved at all. Well, you know how twins are sometimes. Gotta do their own thing. But I digress. The music!
Okay, let me get this out of the way. The production on this album is very synth heavy. There's a lot of it. A LOT! Of course, it was the 80's and it fit the style of music that Robin had been doing, so there you go. And to be honest, though it is quite prominently featured, it's done in such a way where it won't get obnoxious. Like other stuff I could mention. I'm sure it didn't hurt that the songs are so good.
Ah, yes! The songs! In my opinion, they're all good. No lie. Fine, some are better than others, just like it always goes, but I do really enjoy every song on this album. I'll just go through some highlights, though, starting with the opening track. It's called "Juliet". I think it's based on some book or play or something. Anyway, it's where Robin begins to show of a very extensive falsetto, particularly in the chorus. It's something that shows up quite a bit over the tracks. Oh, and think you can still find the video for this on the YouTubes. Go watch it . . . and then tell me what it's about, because I had some trouble following the story arc.
Another single released from the album was "Another Lonely Night in New York". What can I say? I like a good song about New York, and there are so many. And let's be honest, if I was in New York, I'd probably be lonely, too. Oh, I get it. Lonely in a city full of millions of people. Robin, you are wicked smart! Probably my favorite song is "Don't Stop the Night". Again, Robin excels with the falsetto, doing it more flawlessly than anyone I can think of. And I just love that title and how well it ties into the lyrics about yearning for a lost love when you're forced to see them moving on. Kinda heartbreaking. And the whole album ends with a great song called "I Believe in Miracle" with even more fantastic lyrics. Yes, I'm a lyric snob. We all know this.
So, I guess I should talk about the titular song, "How Old Are You?". Yeah, it could be considered a tad . . . controversial. Something about someone being 17 and "a girl with woman's charms". Look, I don't know. I DON'T KNOW. All I do know is that this is kind of in the "Don't Stand So Close to Me" territory, and if we let Sting get away with it, we really should let Robin. Plus, the song is extremely catchy, so all is forgiven!
And I think that's what makes this album excel musically. It is quite hooky, as they say. The choruses are just a collection of ear worms, but the best possible kind. It should come as no surprise, since we know Robin's track record as a songwriter, albeit as part of a group. But if this shows us anything, it is that all three of them brought something to the table, and whether together or apart they were flat out musical geniuses.
Now, if i'm being honest, this album was not some massive success, certainly nowhere near the success that Robin previously had. I mean, I think the highest this thing charted was #6 in West Germany. Yeah, think about that. WEST Germany! That's how old this is. Ha! But on that subject, you have to remember when this came out. It was in the wake of the disco backlash that the brothers had been victims of, and no one really wanted to hear from them as themselves. As I mentioned, they were making bank writing and producing for other artists, but no one was that interested in their own work. And it's sad, because I think that was the main reason this got overlooked.
So, I obviously recommend How Old Are You? Give it a listen if you can get your hands on it. I seem to remember it being an ordeal to find a copy, but that was a while ago. You might have better luck. Now I would say this is best for true fans of all things Gibb, especially since I can admit that Robin's voice is a bit of an acquired taste. I mean, it is so unique and special, how could it not be? Therefore, if you love listening to him sing with the accompaniment of his brothers, you may love listening to him on his own. I certainly do. And ever since he, sadly, passed on, it's one of the things I hold dear.
Love and full moons,
Becky the Writer
Anyone who knows me knows that I am a hardcore admirer of the Bee Gees. Ever since I was a teenager, when I found out they did more stuff than Saturday Night Fever, I have been listening to their amazing catalog of music. In fact, my favorite songs is one of their songs. But I'm not exactly here to talk about the Bee Gees, at least, not collectively. And probably not TOO much. No, today I will mostly be discussing just one of them, Robin Gibb, and his solo album How Old Are You?
How Old Are You? was released in 1983 and was Robin's second solo project. The first was 1970's Robin's Reign, which was made back when the brothers broke up after their initial success. It was a sad time. I guess. I wasn't there. And I don't think I've ever actually heard that album. Maybe someday. Anyway, according to my info, this was made around the time that the Bee Gees were doing the Staying Alive soundtrack (which was AWESOME!), as well as the time when they were writing and producing a lot for other artists. With this project, though, it appears that only Robin and Maurice were involved, writing all the songs and producing with a guy named Dennis Byron, who had been working with them as a drummer for quite a while. Actually, they used a few of their regular musical personnel for this, which I'm cool with, because obviously they're good at what they do. Unfortunately, Barry was apparently not involved at all. Well, you know how twins are sometimes. Gotta do their own thing. But I digress. The music!
Okay, let me get this out of the way. The production on this album is very synth heavy. There's a lot of it. A LOT! Of course, it was the 80's and it fit the style of music that Robin had been doing, so there you go. And to be honest, though it is quite prominently featured, it's done in such a way where it won't get obnoxious. Like other stuff I could mention. I'm sure it didn't hurt that the songs are so good.
Ah, yes! The songs! In my opinion, they're all good. No lie. Fine, some are better than others, just like it always goes, but I do really enjoy every song on this album. I'll just go through some highlights, though, starting with the opening track. It's called "Juliet". I think it's based on some book or play or something. Anyway, it's where Robin begins to show of a very extensive falsetto, particularly in the chorus. It's something that shows up quite a bit over the tracks. Oh, and think you can still find the video for this on the YouTubes. Go watch it . . . and then tell me what it's about, because I had some trouble following the story arc.
Another single released from the album was "Another Lonely Night in New York". What can I say? I like a good song about New York, and there are so many. And let's be honest, if I was in New York, I'd probably be lonely, too. Oh, I get it. Lonely in a city full of millions of people. Robin, you are wicked smart! Probably my favorite song is "Don't Stop the Night". Again, Robin excels with the falsetto, doing it more flawlessly than anyone I can think of. And I just love that title and how well it ties into the lyrics about yearning for a lost love when you're forced to see them moving on. Kinda heartbreaking. And the whole album ends with a great song called "I Believe in Miracle" with even more fantastic lyrics. Yes, I'm a lyric snob. We all know this.
So, I guess I should talk about the titular song, "How Old Are You?". Yeah, it could be considered a tad . . . controversial. Something about someone being 17 and "a girl with woman's charms". Look, I don't know. I DON'T KNOW. All I do know is that this is kind of in the "Don't Stand So Close to Me" territory, and if we let Sting get away with it, we really should let Robin. Plus, the song is extremely catchy, so all is forgiven!
And I think that's what makes this album excel musically. It is quite hooky, as they say. The choruses are just a collection of ear worms, but the best possible kind. It should come as no surprise, since we know Robin's track record as a songwriter, albeit as part of a group. But if this shows us anything, it is that all three of them brought something to the table, and whether together or apart they were flat out musical geniuses.
Now, if i'm being honest, this album was not some massive success, certainly nowhere near the success that Robin previously had. I mean, I think the highest this thing charted was #6 in West Germany. Yeah, think about that. WEST Germany! That's how old this is. Ha! But on that subject, you have to remember when this came out. It was in the wake of the disco backlash that the brothers had been victims of, and no one really wanted to hear from them as themselves. As I mentioned, they were making bank writing and producing for other artists, but no one was that interested in their own work. And it's sad, because I think that was the main reason this got overlooked.
So, I obviously recommend How Old Are You? Give it a listen if you can get your hands on it. I seem to remember it being an ordeal to find a copy, but that was a while ago. You might have better luck. Now I would say this is best for true fans of all things Gibb, especially since I can admit that Robin's voice is a bit of an acquired taste. I mean, it is so unique and special, how could it not be? Therefore, if you love listening to him sing with the accompaniment of his brothers, you may love listening to him on his own. I certainly do. And ever since he, sadly, passed on, it's one of the things I hold dear.
Love and full moons,
Becky the Writer
Friday, August 25, 2017
Rabbits on the Run / Vanessa Carlton - Album Review
Greetings,
I don't know if I mentioned this, but I have been working on a collection of songs based on my favorite book. Well, I was working on it, then I stopped, now I'm working on it again. Anyway, I love when people create art that is inspired by other works of art. I'd say it keeps us all connected in a way. So, I wanted to talk about an album that has some literary inspiration attached to it, Rabbits on The Run. Yay! Bunnies!
Rabbits on the Run is a 2011 album from Vanessa Carlton. I was pretty intrigued about this one as soon as I heard about it, and with each new bit of information, that intensified. First off, I do enjoy the music of Vanessa Carlton. She always seemed very organic with the music she created, and I liked that. Second, as I mentioned, she had said that she was inspired (am I using that word too much?) by two books. One of them was A Brief History of Time by Stephen Hawking, which I've never read and probably never will, and the other was Watership Down by Richard Adams, which I don't think I've read, but I've definitely seen that scary cartoon movie, though. But anyway, that's why there are "rabbits" in the title. Works for me. She also had a very specific sound for this project, very dreamlike, and she got Steve Osborne to produce it. He also worked with U2 and A-ha in the past. If you look online, you'll probably be able to find this great interview she did which I've seen called "The Four Elements of Rabbits on the Run", where she talks about her decisions, like using a children's choir and recording to record to actual, physical tape, something practically unheard of these days. What's that you say, youngsters? What is tape? Ask your parents. Now let's talk about the music.
The first single was "Carousel" and it's technically the titular track, since it has "rabbits on the run" in its lyrics. It's definitely one of my favorite tracks and a perfect way to kick off the album. Another of my favorite songs is "London". It starts off so softly and because of the way it puts you in that aforementioned dreamy state, you think it's gonna stay that way. But it kicks in to high . . . well, highER gear later, when we get one of the best lyrics I've ever heard: "You've got a knife-throwing kind of love". WHAT! Bring it! Anyway, "Hear the Bells" is another highlight, staying with the same musical theme, and the lyrics are quite visually stimulating. As are the ones on "Marching Line" and the simple piano work in the beginning fits it so well, along with the drumming which gives us the feel of a soft and subtle march. And the final track, "In the End" is relatively short with very few lyrics, but they do pack a punch regardless.
Now, I'd be remiss if I didn't mention a song that, in hind sight, ends up being kind of funny. Not "Funny Ha Ha" but more "Funny Ironic". It's a song called "I Don't Wanna Be a Bride", and it's about exactly what you think it's about. I even saw Vanessa in an interview wherein she said that she supports brides and she supports marriage, but she just didn't want it for herself. Well, the joke's on everyone, because she ended up becoming a bride a few years back. Now she has a husband and a beautiful baby and WHY DID YOU LIE TO US, VANESSA!?!? Just kidding! Actually, I kind of like how the whole thing shows how we can change over time, that we're not stuck in one place with one way of approaching life.
In conclusion, I do recommend Rabbits on the Run. You can really hear that all the special care she took in recording it and all the creative decisions she made really paid off. It feels like a very personal album that she didn't necessarily make for her fans. Let me explain that. Obviously, she wanted to make something great for us, which she did, but often times, an artist can get bogged down too much in what other people are going to think. Here, Vanessa just made the album that she wanted to make, from her heart, from her soul and from her life. Thankfully, that ended up being something that we could all enjoy heartily. Yes, I said heartily.
Love and full moons,
Becky the Writer
I don't know if I mentioned this, but I have been working on a collection of songs based on my favorite book. Well, I was working on it, then I stopped, now I'm working on it again. Anyway, I love when people create art that is inspired by other works of art. I'd say it keeps us all connected in a way. So, I wanted to talk about an album that has some literary inspiration attached to it, Rabbits on The Run. Yay! Bunnies!
Rabbits on the Run is a 2011 album from Vanessa Carlton. I was pretty intrigued about this one as soon as I heard about it, and with each new bit of information, that intensified. First off, I do enjoy the music of Vanessa Carlton. She always seemed very organic with the music she created, and I liked that. Second, as I mentioned, she had said that she was inspired (am I using that word too much?) by two books. One of them was A Brief History of Time by Stephen Hawking, which I've never read and probably never will, and the other was Watership Down by Richard Adams, which I don't think I've read, but I've definitely seen that scary cartoon movie, though. But anyway, that's why there are "rabbits" in the title. Works for me. She also had a very specific sound for this project, very dreamlike, and she got Steve Osborne to produce it. He also worked with U2 and A-ha in the past. If you look online, you'll probably be able to find this great interview she did which I've seen called "The Four Elements of Rabbits on the Run", where she talks about her decisions, like using a children's choir and recording to record to actual, physical tape, something practically unheard of these days. What's that you say, youngsters? What is tape? Ask your parents. Now let's talk about the music.
The first single was "Carousel" and it's technically the titular track, since it has "rabbits on the run" in its lyrics. It's definitely one of my favorite tracks and a perfect way to kick off the album. Another of my favorite songs is "London". It starts off so softly and because of the way it puts you in that aforementioned dreamy state, you think it's gonna stay that way. But it kicks in to high . . . well, highER gear later, when we get one of the best lyrics I've ever heard: "You've got a knife-throwing kind of love". WHAT! Bring it! Anyway, "Hear the Bells" is another highlight, staying with the same musical theme, and the lyrics are quite visually stimulating. As are the ones on "Marching Line" and the simple piano work in the beginning fits it so well, along with the drumming which gives us the feel of a soft and subtle march. And the final track, "In the End" is relatively short with very few lyrics, but they do pack a punch regardless.
Now, I'd be remiss if I didn't mention a song that, in hind sight, ends up being kind of funny. Not "Funny Ha Ha" but more "Funny Ironic". It's a song called "I Don't Wanna Be a Bride", and it's about exactly what you think it's about. I even saw Vanessa in an interview wherein she said that she supports brides and she supports marriage, but she just didn't want it for herself. Well, the joke's on everyone, because she ended up becoming a bride a few years back. Now she has a husband and a beautiful baby and WHY DID YOU LIE TO US, VANESSA!?!? Just kidding! Actually, I kind of like how the whole thing shows how we can change over time, that we're not stuck in one place with one way of approaching life.
In conclusion, I do recommend Rabbits on the Run. You can really hear that all the special care she took in recording it and all the creative decisions she made really paid off. It feels like a very personal album that she didn't necessarily make for her fans. Let me explain that. Obviously, she wanted to make something great for us, which she did, but often times, an artist can get bogged down too much in what other people are going to think. Here, Vanessa just made the album that she wanted to make, from her heart, from her soul and from her life. Thankfully, that ended up being something that we could all enjoy heartily. Yes, I said heartily.
Love and full moons,
Becky the Writer
Thursday, August 24, 2017
Under Rug Swept / Alanis Morissette - Album Review
Greetings,
I've noticed that artists who have one particular album being extremely successful can have that be a positive but also a bit of a negative. It's positive for the obvious, but the negative has to do with the fact that their other works are sometimes underrated, or just flat out ignored. Anyone who knows anything about the 90's knows that Alanis Morisette's Jagged Little Pill was one of the defining albums of the decade, and deservedly so. But I think some people hold that one is such high regard that they forget how much great music she did that was NOT on that album. So, I thought I'd bring attention to some of that today and talk about Under Rug Swept.
Under Rug Swept was released in 2002, about four years after her last project. There is a subtle theme that threads all the songs together as it appears to chronicle the end of a relationship. Alanis was also inspired by all the traveling she had been doing, including the time she spent in the Navajo nation. And if you recall the first single "Hands Clean", she digs into her past, of course, telling some revealing stories about her involvement with an older man in her youth. It was accompanied by a great video as well, which visually showed the ordeal pretty perfectly. It also contains the lyric from where we get the album title.
The opening track is called "21 Things I Want in a Lover", where you can tell that a bit of it seems kind of tongue in cheek, but at the same time, you know she's not messing around with some of the things she mentions. Just something to add to the mystery. It's what we writers do. And back to the subject of the aforementioned great videos, another track that got one was "Precious Illusions". The song has a very unique sound musically, and I love what the lyrics say about dealing with how we felt about things when we were younger and how it conflicts with having to become an adult and see the world more realistically, all told through the lens of a romance. "Surrendering" is another one with a great message, talking about the courage of letting yourself be loved. Don't we all need that sometimes? Now I suppose I can relate to the song "So Unsexy" . . . 'cause I'm SO not that! Just kidding. In fact, it's all about how we should not take our insecurities so seriously. Everyone has them, so clearly, they aren't picky or exclusive and thus, don't deserve all the power we give to them.
If I have to choose a favorite song from the album, it would definitely be "You Owe Me Nothing in Return". It's just a sweet, upbeat song about love. How we need to support each other in relationships, but not let go of who we are and what we want out of life. It's nice being reminded that it's something that is possible to obtain.
Ya know, I think it would be only right if I tacked on a little mini-review to this and talk about something Alanis released later that year called Feast on Scraps. The CD has some B-sides and whatnot, but it also has a DVD which has concert footage from her tour, as well as some behind the scenes stuff. That's my favorite. And why I bring it up is because we get to see her working on some of the tracks from this Under Rug Swept album. So, we get to see her in her creative process, which is pretty revealing as she does let herself go deep into the emotions of what she's working on . I can relate. It's just so nice to witness someone letting herself be seen in that vulnerable state.
So, to wrap up, I would recommend this album. If I'm being honest, no, it might not be as good as Jagged Little Pill as a whole. However, it has so many great moments on it, and you can really feel how much of herself that Alanis put into these songs. For me, that always adds something extra to any work of art. And though we've seen her be emotional from a side of anger, here, we get to see it from a far more peaceful and mature perspective.
Love and full moons,
Becky the Writer
I've noticed that artists who have one particular album being extremely successful can have that be a positive but also a bit of a negative. It's positive for the obvious, but the negative has to do with the fact that their other works are sometimes underrated, or just flat out ignored. Anyone who knows anything about the 90's knows that Alanis Morisette's Jagged Little Pill was one of the defining albums of the decade, and deservedly so. But I think some people hold that one is such high regard that they forget how much great music she did that was NOT on that album. So, I thought I'd bring attention to some of that today and talk about Under Rug Swept.
Under Rug Swept was released in 2002, about four years after her last project. There is a subtle theme that threads all the songs together as it appears to chronicle the end of a relationship. Alanis was also inspired by all the traveling she had been doing, including the time she spent in the Navajo nation. And if you recall the first single "Hands Clean", she digs into her past, of course, telling some revealing stories about her involvement with an older man in her youth. It was accompanied by a great video as well, which visually showed the ordeal pretty perfectly. It also contains the lyric from where we get the album title.
The opening track is called "21 Things I Want in a Lover", where you can tell that a bit of it seems kind of tongue in cheek, but at the same time, you know she's not messing around with some of the things she mentions. Just something to add to the mystery. It's what we writers do. And back to the subject of the aforementioned great videos, another track that got one was "Precious Illusions". The song has a very unique sound musically, and I love what the lyrics say about dealing with how we felt about things when we were younger and how it conflicts with having to become an adult and see the world more realistically, all told through the lens of a romance. "Surrendering" is another one with a great message, talking about the courage of letting yourself be loved. Don't we all need that sometimes? Now I suppose I can relate to the song "So Unsexy" . . . 'cause I'm SO not that! Just kidding. In fact, it's all about how we should not take our insecurities so seriously. Everyone has them, so clearly, they aren't picky or exclusive and thus, don't deserve all the power we give to them.
If I have to choose a favorite song from the album, it would definitely be "You Owe Me Nothing in Return". It's just a sweet, upbeat song about love. How we need to support each other in relationships, but not let go of who we are and what we want out of life. It's nice being reminded that it's something that is possible to obtain.
Ya know, I think it would be only right if I tacked on a little mini-review to this and talk about something Alanis released later that year called Feast on Scraps. The CD has some B-sides and whatnot, but it also has a DVD which has concert footage from her tour, as well as some behind the scenes stuff. That's my favorite. And why I bring it up is because we get to see her working on some of the tracks from this Under Rug Swept album. So, we get to see her in her creative process, which is pretty revealing as she does let herself go deep into the emotions of what she's working on . I can relate. It's just so nice to witness someone letting herself be seen in that vulnerable state.
So, to wrap up, I would recommend this album. If I'm being honest, no, it might not be as good as Jagged Little Pill as a whole. However, it has so many great moments on it, and you can really feel how much of herself that Alanis put into these songs. For me, that always adds something extra to any work of art. And though we've seen her be emotional from a side of anger, here, we get to see it from a far more peaceful and mature perspective.
Love and full moons,
Becky the Writer
Wednesday, August 23, 2017
Back to Basics / Christina Aguilera - Album Review
Greetings,
Seriously, I have NO idea why I own a copy of this album? I'm not exactly a huge fan of Christina Aguilera's, though I do enjoy some of her songs. I'm almost certain that I obtained this by way of one those Columbia House deals. Apparently, I could only think of eleven albums I wanted for a penny, so I had an extra slot, and this got it. At the time, though, I remember being interested in the concept of what she was doing with this, and that it may have a chance at being good because it was something different. But is different always good? Let's find as we discuss this work.
Back to Basics was released in August of 2006, and it is a double album. Let's just get this out of the way. It did not need to be a double album. Look, I'm not picking on specifically on her for this. We all know that, outside of greatest hits compilations, there are very few double albums that need to be so. I mean, if I didn't let Fleetwood Mac get away with doing it when they needn't have, I sure as heck am not going to let her get away with it. And a lot of critics agreed with me on that. Most say it was just too much bogged down in the concept, which we'll get into later. Although, one reviewer apparently compared it to The White Album by The Beatles. Ummm . . . Yeah, no. Like, not even close. Moving on.
I guess I should talk about the concept of this concept album. I'm using that word a lot. Shame on me. So, the first half has a lot of urban influence with throwbacks to R&B. There was a lot of horn instrumentation and a gospel choir. It's this part where we got the first single "Ain't No Other Man", which I thought was pretty good and it did okay on the charts, crawling its way to #6. But it did get her a Grammy . . . and a sampling lawsuit. Well, you gotta take the sour with the sweet, I suppose. The section also has a pretty nice tribute to her mom called "Oh, Mother" and "Thank You" a dedication track to her fans. Those are always nice. And somehow, she got Steve Winwood on this thing. You go, girl.
The second half is even more conceptual, with something of a circus theme. Well, hang on a minute. Didn't Britney Spears do something like that a couple of years later? Hmmm . . . Anyway, most of the songs on this part were written by Christina and Linda Perry, which was a good idea considering their track record together, in theory. Most of the songs here are more jazzy and bluesy, more of that horn work, so musically, I thought it sounded great. Probably the most recognizable song from this was "Candy Man", Christina's dirty version "Boogie Woogie Bugle Boy" or something. Again, I like the music, but lyrically? Stop trying so hard. We get it. You have sex. Congratulations. Move on. Now I do really love her soulful vocals on "I Got Trouble", something she excels at a lot. I'm also a fan of the song "Save Me From Myself", which she wrote with Bill Bottrel, probably best known for his work with Sheryl Crow. So, no surprise that its style is a bit of a departure from the other tracks. Still good, though. But my favorite song on the whole album, both parts, is "Hurt". Not gonna lie. It kinda hit me in the feels.
So, my overall thoughts on Back to Basics are total A for Effort, but more of a C+, maybe a B-, for how much I actual like it as a whole. I can appreciate the creativity that went into it, and I don't doubt it was a labor of love. However, like I said, this should have been condensed into one album. Stretching it out so much just gave Christina more of a chance to do what she does quite a lot, which is more style than substance. Now, don't get me wrong. The woman has an amazing voice, but I like it so much better when she restrains herself. I know that there are times when we want the big notes and the vocal runs, but not all the time. In fact, I remember putting that "Say Something" song she did with A Great Big World on my best of the year list a while back. My biggest praise was how soft and beautiful she sounded. I'm no expert, but that's what I prefer from her. In short, if you're a fan, you'll like this, probably. I'm on the fence, but I always give credit where it's due. And it is certainly due for some of this project.
Love and full moons,
Becky the Writer
Seriously, I have NO idea why I own a copy of this album? I'm not exactly a huge fan of Christina Aguilera's, though I do enjoy some of her songs. I'm almost certain that I obtained this by way of one those Columbia House deals. Apparently, I could only think of eleven albums I wanted for a penny, so I had an extra slot, and this got it. At the time, though, I remember being interested in the concept of what she was doing with this, and that it may have a chance at being good because it was something different. But is different always good? Let's find as we discuss this work.
Back to Basics was released in August of 2006, and it is a double album. Let's just get this out of the way. It did not need to be a double album. Look, I'm not picking on specifically on her for this. We all know that, outside of greatest hits compilations, there are very few double albums that need to be so. I mean, if I didn't let Fleetwood Mac get away with doing it when they needn't have, I sure as heck am not going to let her get away with it. And a lot of critics agreed with me on that. Most say it was just too much bogged down in the concept, which we'll get into later. Although, one reviewer apparently compared it to The White Album by The Beatles. Ummm . . . Yeah, no. Like, not even close. Moving on.
I guess I should talk about the concept of this concept album. I'm using that word a lot. Shame on me. So, the first half has a lot of urban influence with throwbacks to R&B. There was a lot of horn instrumentation and a gospel choir. It's this part where we got the first single "Ain't No Other Man", which I thought was pretty good and it did okay on the charts, crawling its way to #6. But it did get her a Grammy . . . and a sampling lawsuit. Well, you gotta take the sour with the sweet, I suppose. The section also has a pretty nice tribute to her mom called "Oh, Mother" and "Thank You" a dedication track to her fans. Those are always nice. And somehow, she got Steve Winwood on this thing. You go, girl.
The second half is even more conceptual, with something of a circus theme. Well, hang on a minute. Didn't Britney Spears do something like that a couple of years later? Hmmm . . . Anyway, most of the songs on this part were written by Christina and Linda Perry, which was a good idea considering their track record together, in theory. Most of the songs here are more jazzy and bluesy, more of that horn work, so musically, I thought it sounded great. Probably the most recognizable song from this was "Candy Man", Christina's dirty version "Boogie Woogie Bugle Boy" or something. Again, I like the music, but lyrically? Stop trying so hard. We get it. You have sex. Congratulations. Move on. Now I do really love her soulful vocals on "I Got Trouble", something she excels at a lot. I'm also a fan of the song "Save Me From Myself", which she wrote with Bill Bottrel, probably best known for his work with Sheryl Crow. So, no surprise that its style is a bit of a departure from the other tracks. Still good, though. But my favorite song on the whole album, both parts, is "Hurt". Not gonna lie. It kinda hit me in the feels.
So, my overall thoughts on Back to Basics are total A for Effort, but more of a C+, maybe a B-, for how much I actual like it as a whole. I can appreciate the creativity that went into it, and I don't doubt it was a labor of love. However, like I said, this should have been condensed into one album. Stretching it out so much just gave Christina more of a chance to do what she does quite a lot, which is more style than substance. Now, don't get me wrong. The woman has an amazing voice, but I like it so much better when she restrains herself. I know that there are times when we want the big notes and the vocal runs, but not all the time. In fact, I remember putting that "Say Something" song she did with A Great Big World on my best of the year list a while back. My biggest praise was how soft and beautiful she sounded. I'm no expert, but that's what I prefer from her. In short, if you're a fan, you'll like this, probably. I'm on the fence, but I always give credit where it's due. And it is certainly due for some of this project.
Love and full moons,
Becky the Writer
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